2/28/2024 0 Comments Chet baker autumn leaves![]() In the movie, it is played by the whole orchestra, thenīy a harmonica, then hummed and sung briefly by Yves Montand, then sung by Under her guidance (and wisdom), I conducted extensive research on community music education which was the focus of my dissertation.His film Les portes de la nuit and wanted it sung by Marleneĭietrich - who declined. Likewise, during my master's and doctoral studies at the University of North Texas, I was blessed to have the opportunity to study with internationally renowned music education philosopher and sociologist Dr. ![]() It was a fantastic environment, a constant thrill, and a dream come true! Considered by many the best collegiate jazz program in the world (which it is), NTSU (UNT) is where I would have the once-in-a-lifetime experience of learning from jazz legends Dan Haerle, Rich Matteson, and Jack Peterson. Ambrose University, I headed south to attend graduate school at North Texas State University (now the University of North Texas). ![]() Many gifted and accomplished local jazz musicians were enormously influential during my early years of formation in the Quad-Cities (Al Frandsen, Warren Parrish, and Jack Scott, to name just a few).Īfter receiving a Bachelors's degree in music from St. Growing up in a musical family and continuously hearing the Dixieland sounds of Bix Beiderbecke, I was destined to be a professional musician from early on. I am a native of Rock Island, Illinois (located a couple of hours west of Chicago). Bob Lawrence – the founder and President of The Dallas School of Music and JazzPianoSkills, a site dedicated to helping aspiring jazz pianists discover, learn and play jazz piano. It is my pleasure to help you discover, learn, and play jazz piano! Thanks for being a JazzPianoSkills Member. If you are a JazzPianoSkills Member be sure to use the Podcast Packets ( Illustrations, Lead Sheets, and Play Alongs) for this episode to help you maximize your musical growth. If you have not listened to my Chet Baker, Autumn Leaves Episode then I would encourage you to do so. Chet Baker approaches all three aspects of music (melody, harmony, and rhythm) with great simplicity and musical purity we would do well to follow in his footsteps! So many lessons Chet Baker teaches through his Autumn Leaves solo but maybe the most important lesson of all is to keep it simple, do not overthink (which always leads to overplaying!). In fact, many of the rhythms he uses throughout the solo are the very same rhythms we set out to discover, learn, and play in the previous three JazzPianoSkills Podcast Episodes ( August 3rd, August 10th, August 17th) which I encourage you to spend time studying and practicing. Chet Baker's Autumn Leaves solo overwhelmingly uses various quarter/8th note combinations. Again, a casual glance at the Autumn Leaves solo reveals a very traditional approach to jazz improvisation. ![]() Not only does Chet Baker use traditional chord/scale relationships when improvising over the Major and Minor II-V-I Progressions he stays loyal to the scale 99% of the time in other words, he does not play notes "outside" of the harmony.įinally, it is vitally important to closely examine the Rhythmic Vocabulary Chet Baker uses to support his melodic lines. Likewise, he treats the Minor II-V-I (G-7b5, C7b9b13, F-) with the same sensitivity by using the F Harmonic Minor Scale played over the entire progression (F, G, Ab, Bb, C, Db, E). Chet Baker handles the Major II-V-I Progression (Bb-7, Eb7, AbMaj7) with the Ionian Mode (Ab Major Scale played over all three chords - Ab, Bb, C, Db, Eb, F, G). A casual glance at Chet Baker's Autumn Leaves solo quickly reveals the musical purity laced throughout his playing. Again, no one does this better than Chet Baker and it is on full display throughout his solo over Autumn Leaves. In other words, vertical thinking focuses on playing each individual chord while a horizontal (linear) mindset stresses chord/scale relationships one scale stretched over as many chords as possible. In addition to internally "singing" when playing we should focus on thinking linearly while improvising. I tell students all of the time that you must be singing in your head when playing (especially when improvising) if you want to play with a relaxed articulation and sound that is common in jazz. In fact, I believe the reason Chet Baker's trumpet playing is so melodious is a result of his singing he's a vocalist (and a very good one!). To begin, if you are wanting the lines you play when improvising to sound more melodic, then there is no one better to listen to and study than Chet Baker. I'm a little late with this Blog Post considering that the Chet Baker, Autumn Leaves episode was released on August 24th but as the old saying goes, "better late than never!"
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